Every hair is articulated in Tim O’Brien’s small perfect
portraits, every hair of the eyebrows and mustaches. They are idealized, bathed
in a golden glow. But they are also 100 percent human. "When we had drawing in nursery school, everyone,
the kids and the teachers, would stand behind me and watch. I could draw things in perspective. I had a
photographic memory and good hand-eye coordination. And I liked all that
attention." O'Brien has 9 paintings
in the National Gallery in Washington, DC and is the youngest artist included
in the recent update of "The Illustrator in America, 1880-2000."
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